Try this 8.1 List all the events of the story in chronological order. Find the item halfway down the list and start the story there. Find the last item and start the story there.
- Aaronâs mom lets her boyfriend Craig move in.
- Craig stops looking for work and Aaronâs mom starts working more.
- Aaron is often in the care of an increasingly irresponsible and intoxicated/high Craig.
- Craig exposes Aaron to porn and masturbates in front of him. He is verbally abusive and threatening towards Aaron, he is violent.
- Aaronâs personality starts to change.
- Aaronâs mom throws Craig out.
- Aaronâs mom finds him a mentor.
- The mentor sexually abuses Aaron.
- The mentor/abuser dies in a car accident.
- Aaron begins having a recurrent nightmare.
- He decompensates to the point that his mother sends him down South with his grandparents.
- While with his grandparents some measure of healing takes place and he ends up staying with them.
Aaronâs personality starts to change
Things just were not that funny anymore. He watched cartoons with his chin in his hand or sometimes with his cheek laid against the armrest as if Pokémon were running a reenactment of Tiananmen Square. The two-dimensional images reflected in the darkened pools of his eyes but nothing registered on his face. He sat in that same spot, the same way, everyday as if he were posing for an oil painting. Even though he was the image of placidity, every muscle in his body was tense.
Occasionally he found himself laughing in class. When this happened, he felt odd. As soon as the sound of his own laughter reached his ears his smile would immediately disappear, his features slackened and his face felt funny afterwards too. Sometimes he would rub his cheek afterwards as if heâd been slapped there. It was uncomfortable to know that the old, smiling Aaron and the new, lost Aaron could share the same space, even the same face.
While with his grandparents, some measure of healing takes place
and he ends up staying with them.
He never thought his mother would let him go so easily. All of the queasy butterflies and fidgeting had been in vain. A simple phone call was all it took. No raised voices or ugly words.
âWell your Daddy and I have been talking it over for the longest time and weâd hate to see him go. I know you must miss him dearly but heâs been such a peach, so helpful around this placeâŠâ He could feel cheeks redden when Grandma called him a peach. He stroked the fuzz on his cheek with his forefinger and grinned.
âWell he seems to have come into his own Belinda. He has his color back and his appetite. Maybe itâs the air or something. Daddy and I thought that maybe he could try out a school year with us. It will give you a chance to sort things out and help him get his confidence back. You know I think he is just a country boy at heart, Bebe.â Grandma said with a knowing tone.
He could hear the faint buzz of his mother on the other end of the phone. He held his breath and waited. He waited to hear the buzzing get angrier and more insistent. He waited to hear his Grandma apologize. While he waited, he thought to himself, âIâm a country boy at heartâ repeatedly. âWell, itâs settled then. DO you want to speak to him? Oh, okay, well you just call him after you run your errands honey.â Grandma said soothingly.
Aaron gasped for air. When Grandpa caught trout that were too small, he would remove the hook and throw them back. Removing the hook was tricky though, because the trout were so busy wriggling and gasping, but that did not stop Grandpa. He leaned over with his hands on his knees and tried to stop hyperventilating. His mother had thrown him back. Back to her parents, back to her childhood home, back to her actual bedroom that she laid in when she was nine years old. She did it as quickly and effortlessly as Grandpa did.
He did not know why he was thrown back; maybe he was too much trouble, too dumb, or just too strange. She had prepared him for this release over the past two years. She had drifted further and further away like a rowboat with no oars. Somewhere inside he knew he would be all right, even if it hurt right now. He knew he could be just like the too small trout that darted away from the rowboat, already recovering from their wounds, and going on with the business of living.
Try this 8.4 Identify the crisis of the story you are working on. Describe that moment with details involving at least three senses.
- The crisis is the fatal car accident that causes Robbieâs death and releases Aaron from the abuse.
He almost didnât notice that anything was different. His mother was waiting in the same spot as usual, the engine of the Camry sputtering away. He shuffled towards the car and made a visor with his hand across his forehead to shield his eyes from the sun. When he got into the car, it took a moment to readjust his eyes. Little, fuzzy black spots floated around him; he resisted the urge to try to grab them. He was so busy looking at the dots that he did not look at his mom right away. He heard her sniffle and he waited for her to pull away from the curb but she didnât. If she didnât hurry, they would be boxed in by the school buses.
She sniffled again and he turned towards her. She was looking at him with a tired expression. Tears dotted the ends of her eyelashes like clear buds on short stalks. The rims of her eyelids were reddened. The grief had softened her face. She looked younger and nicer, kind of, like how she used to look before everything happened. She had his attention now, slowly the words âWhatâs wrong?â materialized in his mind. He tried to say them but he just kept blinking, opening, and closing his mouth. He waited for her to say, âStop puckering like a damn fish!â but she didnât. This made him nervous. âAaron, honey, mommy has something bad to tell you.â She said in a tone he never heard before. âUmm, Robbie had an accident, a very bad car accident.â She kept sniffling and dabbing at her eyes with a crumpled up MacDonaldâs napkin.
Aaron could see Robbie getting into his red mustang with that smirk on his face. He could hear the purr of the engine as it started up. Robbie leans over, turns on the radio, smirks again as he cranks it up, and pushes a button to lower his window. Then he bends his arm and lays it on the door with his elbow sticking out, his other forearm draped over the steering wheel. He turns out into the street and a huge sixteen wheeler blasts its horn and smashes into the driverâs side. Robbie does not have a smirk anymore; his mouth is agape as the car spins in circles all the way down the street.
âAaron, Aaron, did you hear what I said? Robbie is gone, honey, he is dead.â Belinda has her hand on Aaronâs shoulder and she is shaking it as gently as the sweet singsong of her voice. âOh God Aaron I am so sorry. Are you going to be alright?â she asks plaintively. Aaron feels bad for imagining Robbie spinning âround and âround in his red mustang. He feels bad that part of him is delighted that Robbie is gone, is DEAD. âHe is really dead?â Aaron asks, his voice rising slightly at the end. âYes honey, yes he is, I am so, so sorry.â
Now she is holding Aaron tightly in her arms. She is rocking back and forth in a stilted motion, the driverâs seat, and the steering wheel restricting her movement. She smells like Bounce drier sheets and Marlboros. She just called him honey, twice. She is holding him, squeezing his shoulders while resting her cheek on top of his head. He should feel so happy right now, everything is all better now, isnât it. He remembers all of the mean things he said to Robbie last week, he remembers all of the dirty things Robbie did to him, and he remembers Sunday school and the trips to the park. He tries to stay in his motherâs arms for a moment longer, his face buried in the safety of her blue Champion hoodie, his cheek resting upon her paltry bosom.
Suddenly he pushes away as the gorge quickly rises in his throat, âMy fault.â He mumbles as tears spring to his eyes. He fumbles with the door handle and leans over just in time to vomit on the curb. He heaves and tries to avoid looking at what is left of the chocolate milk and tater tots from lunch. He can hear his mother fumbling in her bag for her cigarettes and then the click of her lighter. She takes a drag and exhales slowly. âOf course it isnât your fault Aaron, how could it be? He always drove that thing like a frigging jackass anyway. I just thank God you were not in the car. Iâd have to dig him up and kick his ass, right kiddo?â
Mom has her old voice back again, the tough voice that is full of digging fingers, harsh words and short, barking laughs. He sits up and puts on his seat belt. He nods his head dumbly and closes the door. âYou okay now?â she asks and he nods again. âGood letâs get the hell out of here.â She says as she flicks the turning single and takes another long drag on her cigarette.